Because I was teaching on Zoom, and I was just a face, and I found myself being very comfortable with just being a face, and with just being a head. And for us, it was Sundays. It brings us back to something your grandmother was right about, for reasons she would never have imagined: you are what you eat. And then what we find in the second poem is a kind of evolution. Find many great new & used options and get the best deals for Becoming Wise: An Inquiry into the Mystery and the Art of Living by Krista Tippe at the best online prices at eBay! And I love it, but I think that you go to it, as a poet, in an awareness of not only its limitations and its failures, but also very curious about where you can push it in order to make it into a new thing. the date at the top of a letter; though And: advance invitations and news on all things On Being, of course, The On Being Project She hosted On Being on the radio for about two decades. Page 20. She is a former host of the poetry podcast. For me, I have pain, so Ive moved through the body in pain. Weve come this far, survived this much. This might be hard for some of you right here. From Feb 2: three months of soaring conversations to live and grow with with an eye towards emergence. Anthem. Im really glad youre enjoying it because theres many more decades. Thats really hard. the ground and the feast is where I live now. Yeah. Tippett: Something I remember reading is that you grew up in an English-speaking household, but your paternal grandfather spoke Spanish and that you just loved to listen to him. So you grew up in Sonoma, California, but my sense is that its not the land of Zinfandel and Pinot Noir that immediately comes to mind now when someone says Sonoma. And the one Id love you to read is Not the Saddest Thing in the World. This is the one where I felt like theres subtlety to it, but you just named so much in there. 25 Sep. 2014. I think we all came a little bit more alive. Groundbreaking Peabody Award-winning conversation about the big questions of meaning, hosted by Krista Tippett. And I was having this moment where I kept being like, Well, if I just deeply look at the world like I do, as poets do, I will feel a sense of belonging. , the galley in the mail from Milkweed. So it felt right to listen again to one of our most beloved shows of this post-2020 world. Limn: Yeah. And then thats also the space for us to sort of walk in as a reader being like, Whats happening here? for the safety of others, for earth, And sometimes when youre going through it, you can kind of see the mono-crop of vineyards that its become. Oh, definitely. Limn: Yeah. And when people describe you as a poet, theyll talk about things about intimacy and emotional sincerity and your observations of the natural world. Her volume The Carrying won the National Book Critics Circle Award for Poetry, and her volume Bright Dead Things was a finalist for the National Book Award. I have, before, been, tricked into believing Before the divorce. When you open the page, theres already silence. In between my tasks, I find a dead fledgling, And it feels important to me whenever Im in a room right now and I havent been in that many rooms with this many people sitting close together that we all just acknowledge that even if we all this exact same configuration of human beings had sat in this exact room in February 2020, and were back now, were changed at a cellular level. In generational time, they are stitching relationship across rupture. Learn more at. Poems all come to me differently. Also because so much of whats been and again, its not just in the past, what has happened, has been happening below the level of consciousness in our bodies. Kind of true. Suppose its easy to slip The Hearthland Foundation. And that was in shorter supply than one would think. Flipboard. Krista Tippett (ne Weedman; born November 9, 1960) is an American journalist, author, and entrepreneur. With. It suddenly just falls apart [laughter], Limn: and I feel like there are moments that I travel a lot in South America, with my husband, and by the end of the second week, my brain has gone. Learn more at kalliopeia.org. And were you writing The Hurting Kind during the pandemic and lockdown? Right. And its funny to tell people that youre raised an atheist because theyre like, Really? But I was. Creativity. Yeah. Yeah. of the world is both gaze And I found it really useful, a really useful tool to go back in and start to think about what was just no longer true, or maybe had never been true. So is his love and study of the farmer-poet Wendell Berry, whose audiobook The Need to Be Whole Nick just recorded. Yet whats most stunning is how presciently and exquisitely Ocean spoke, and continues to speak, to the world we have since come to inhabit its heartbreak and its poetry, its possibilities for loss and for finding new life. Tippett: The thesis. And then I would say in terms of the sacred, it was always the natural world. Tippett: So can we just engage in this intellectual exercise with you because its completely fascinating and Im not sure whats going on, and Id like you to tell me. And it really struck me that how much I was like, How do I move through this world? Remembering what it is to be a body, I think to be a woman who moves through the world with a body, who gets commented on the body. But he is driven by passionate callings older and deeper than his public vocation as an actor and comedian. Tippett: And that is so much more present with us all the time. So, On Preparing the Body for a Reopened World.. teeth right before they break And even as it relieves us of the need to sum everything up. I will trust the world and I will feel at peace. And this time, what came to me as I stood and looked at the trees was that Oh, it isnt just me looking. It was interesting to me to realize how people turned to you in pandemic because of who you are, it sounds like. Silence, which we dont get enough of. We value the ancient power of storytelling, and we get that good stories require conflict, characters and scene. like water, elemental, and best when its humbled, And now Ill just say it again: they are the publisher of the 24th Poet Laureate of the United States. even the tenacious high school band off key. So Im hoping. We have never been exiled. Tippett: And you have said that you fell in love with poetry in high school. And this particular poem was written after the 2017 fires in my home valley of Sonoma. So it had this kind of wonderful way of existing in an aliveness of a language, aliveness of a second language as opposed to just sort of a need to get something or to use. And I also just wondered if that experience of loving sound and the cadence of this language that was yours and not yours, if that also flowed into this love of poetry. Peabody Award-winning host Krista Tippett presents a live, in-person recording of the wildly popular On Being podcast, featuring guest speaker Isabel Wilkerson. And to not have that bifurcated for a moment. Is where that poem came from. "Beauty isn't all about just nice loveliness, like," O'Donohue tells Tippett. I mean, isnt this therapeutic also for us all to laugh about this now, also to know that we can laugh about it now? Yet what Amanda has gone on to investigate and so, so helpfully illuminate is not just about journalism, or about politics. Return like a word, long forgotten and maligned. Definitely. I have people who ask me, How do you write poems? And you talk about process. But I want you to read it second, because what I found in. An accomplished journalist, author, and entrepreneur, she was awarded the National Humanities Medal in 2014. Yeah. And then there are times in a life, and in the life of the world, where only a poem perhaps in the form of the lyrics of a song, or a half sentence we ourselves write down can touch the mystery of ourselves, and the mystery of others. The people who gather around On Being are part of the generative narrative of our time. We envision a world that is more fluent in its own humanity and thus able to rise to the great challenges and promise of this century. But the song didnt mean anything, just a call A dream. has an unsung third stanza, something brutal These, it turns out, are as common in human life globally as they are measurably health-giving and immunity-boosting. Limn: That you can be joyful and you can actually be really having a wonderful time. Which makes me laugh, in an oblivion-is-coming sort of way. Amanda Ripley began her life as a journalist covering crime, disaster, and terrorism. Two families, two different The thesis is still the wind. The thesis is still a river. The thesis has never been exile., Limn: Yeah. Where some of you were like, Eww, as soon as I said it. And its true. So it had this kind of wonderful way of existing in an aliveness of a language, aliveness of a second language as opposed to just sort of a need to get something or to use. Tippett: And this is about your childhood, right? But I also feel a little bit out of practice with this live event thing. Limn: And then you go, Oh no, no, thats just recycling. So thats in the poem. Its so interesting because I feel like one of the things as you age, as an artist, as a human being, you start to rethink the stories that people have told you and start to wonder what was useful and what was not useful. We endeavor to make goodness and complexity riveting. tags: curiosity , listening , oral-history , vulnerability. We inhabit a liminal time between what we thought we knew and what we cant quite yet see. Limn: Yeah, there wasnt a religious practice. And: advance invitations and news on all things On Being, of course. Articles by Krista Tippett on Muck Rack. And they would say, I dont want to go to yoga. And I was like, Why? And they said, I just dont want anyone telling me when to breathe. [laughter] But its true. That its not my neighborhood, and they look beautiful. And it often falls apart from me. People will ask me a lot about my process and it is, like I said, silence. I do feel like you were one of the people who was really writing with care and precision and curiosity about what we were going through. So that even when youre talking about the natural world: we are of it not in it. Or theres just something happens and you get all of a sudden for it to come flooding back. Ada Limn. I mean, isnt this therapeutic also for us all to laugh about this now, also to know that we can laugh about it now? into anothers green skin, but I was loved each place. We literally. Amidst all of the perspectives and arguments around our ecological future, this much is true: we are not in the natural world we are part of it. No, really I was. Tippett: I wrote in my notes, just my little note about what this was about, recycling and the meaning of it all. I dont think thats [laughter]. But mostly were forgetting were dead stars too, my mouth is full And what of the stanzas And you could so a lot of what he knew in Spanish and remembered in Spanish were songs. But if you look at even the letters we use in our the A actually was initially a drawing of an ox, and M was water. Youre never like, Oh, Im just done grieving. I mean, you can pretend you are, right, but we arent. The notion of frontier inner frontiers, outer frontiers weaves through this hour. I am asking you to touch me. Sometimes it sounds, sometimes its image, sometimes its a note from a friend with the word lover. I mean, I do right now. Alex Cochran, Deseret News. Now, somethings, breaking always on the skyline, falling over I could. And then it hits you or something you, like you touch a doorknob, and it reminds you of your mothers doorknob. The Pause is our Saturday morning ritual of a newsletter. To love harder? And then you go, Oh no, no, thats just recycling. So thats in the poem. Before the dogs chain. So that even when youre talking about the natural world: we are of it not in it. When you open the page, theres already silence. 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